Thursday, May 29, 2025

A Chat with ALAN NIVEN (FMR. MANAGER: GUNS N' ROSES/GREAT WHITE)


Author/journalist Joel Gausten talks with legendary band manager Alan Niven (Guns N' Roses/Great White) about his forthcoming book Sound N' Fury: Rock N' Roll Stories, his notorious interactions with David Geffen, his thoughts on Izzy Stradlin's departure from Guns N' Roses, his relationship with the late Jack Russell, and much more.

Sound N' Fury





EMAIL JOEL at gaustenbooks@gmail.com


Monday, May 26, 2025

A Chat with RONNIE ROMERO (RAINBOW/MSG/LORDS OF BLACK/ELEGANT WEAPONS/THE FERRYMEN/SOLO)


Author/journalist Joel Gausten talks with veteran singer Ronnie Romero (Rainbow/MSG/Lords of Black/Elegant Weapons/The Ferrymen/Sunstorm/Vandenberg) about his new live CD/DVD Live At Rock Imperium Festival, his work with Judas Priest guitarist Richie Faulkner, the late Ronnie James Dio, and more.

Links in the Video Description





EMAIL JOEL at gaustenbooks@gmail.com


ALBUM REVIEW - Knox Chandler: The Sound




Knox Chandler is a one-off.

A musician’s musician, he has a résumé that is as jaw-droppingly eclectic as it is extensive. Chandler is the kind of multi-instrumentalist and aural alchemist who finds as much — if not more — satisfaction playing improv Jazz in a tiny New England bookstore on a quiet Sunday night as he did performing on Letterman with The Psychedelic Furs or headlining the Roseland Ballroom in New York City with Siouxsie and the Banshees.

His journey has taken him from accompanying artists like Natalie Merchant and Cyndi Lauper to laying down sounds on the decidedly uncommercial recordings of the late Anton Fier’s Golden Palominos. He’s a musical explorer with a past full of adventure and miles already traveled — yet he’s always scanning the horizon for what’s next.

In Chandler’s world, success isn’t about resting on past achievements; it’s about asking the ever-resonant question:

“Where is this journey taking me next?”

On May 30, Chandler shows us where he is now in the form of The Sound, an experimental album/art book largely inspired by the rustic environs of his current residence in Connecticut. There’s a lot to take in, ranging from the evocative art in the book to the “sound ribbons” that flow through the album’s tracks. (“Sound ribbons?” you ask. Indeed. Watch my chat with Knox below for more insight into The Sound’s development.)


Ambient one moment, atonal the next, and frequently anchored by some of the most inventive percussion this writer/drummer has ever heard, The Sound is a mind- and heart-expanding experience — and, to be frank, an absolute bloody challenge to write about. Do I attempt to do my journalistic duty and dissect each track on this thing, lovingly present my impressions on why each one reflects genuine artistic beauty, and bang my multisyllabic drum over how essential an addition The Sound would be to any adventurous music fan’s collection?

Well, I suppose I could — but I honestly don’t believe a traditional review of this work would remotely do it justice. I’m bypassing my journalistic responsibilities with The Sound in the same way I’d be damned if I tried to deliver prose on Raw Power, the works of Angelo Badalamenti, or the vast majority of the Killing Joke catalog. Like those releases, The Sound is meant to be felt, not read about.

What I will say is that it’s an album that moves me and takes me somewhere else. I’ve listened to it repeatedly in recent weeks, and I hear new things on it every time. Hell, I’m quite sure I’ll still be hearing new things on it a year from now. It’s not an album you merely listen to; it’s an album you bond with — form a relationship with. One that speaks to you in ways others can’t.


Art by Knox Chandler (taken from the book The Sound)

I suspect the right people among my readership are nodding their heads with great interest right now. If so, The Sound is the next album for you. It’s one of those. Trust me; you’ll get it. You’ll know. Just be sure to explore the book alongside your listening. You’ll understand every word I’ve typed here.

The Sound is one of those releases that reminds me why music is so magical for me, and Knox Chandler is one of those musicians whose output reinforces my desire to seek out and embrace the unknown next steps of my own artistic evolution. Full marks to him for looking at the present in his nearly 50-year career as an opportunity for new directions and discoveries.

What a beautiful example to follow.


EMAIL JOEL at gaustenbooks@gmail.com


Monday, May 19, 2025

A Chat with MARK GEMINI THWAITE (SEVENDIALS/THE MISSION/PETER MURPHY/TRICKY/SOLO)


Author/journalist Joel Gausten talks with veteran musicians Mark Gemini Twaite (Sevendials/The Mission/Peter Murphy/Tricky/Mob Research/Al Jourgensen/The Wonder Stuff/Primitive Race/Spear of Destiny/Theatre of Hate/New Disease/The Children/Gary Numan/Solo) about highlights from his eclectic and accomplished career.

Links in the Video Description





EMAIL JOEL at gaustenbooks@gmail.com


Saturday, May 17, 2025

A Chat with PALINDRONES


Author/journalist Joel Gausten talks with U.K. Darkwave duo Palindrones about their history and fantastic new album, Chapter Two: The Slender Blade.

Links in the Video Descriptionn





EMAIL JOEL at gaustenbooks@gmail.com


Wednesday, May 14, 2025

A Chat with JON KING (GANG OF FOUR)


Author/journalist Joel Gausten talks with Gang of Four frontman Jon King about his new memoir (To Hell with Poverty!), Gang of Four's current farewell tour, the 30th anniversary of the band's Shrinkwrapped album, late bassist Dave Allen, and more.

Links in the Video Description





EMAIL JOEL at gaustenbooks@gmail.com


Friday, May 9, 2025

HARDCORE VEGETARIAN: A Chat with LAURA and HARLEY FLANAGAN


Author/journalist Joel Gausten talks with author Laura Lee Flanagan about the philosophy behind her just-published book, Hardcore Vegetarian: Welcome to the Vegedome! Laura's husband, Harley (Cro-Mags), later joins them to add his perspectives on vegetarianism and discuss the new documentary on his life, Harley Flanagan: Wired for Chaos.

Hardcore Vegetarian: Welcome to the Vegedome!

Harley Flanagan: Wired for Chaos





EMAIL JOEL at gaustenbooks@gmail.com


Monday, May 5, 2025

A Chat with ROGER EBNER (PIGFACE/BILE/SOLO)


Author/journalist Joel Gausten talks with Chicago-based multi-instrumentalist Roger Ebner (Pigface/Bile/Solo) about his new EP, EBNR.  

Links in the Video Description






EMAIL JOEL at gaustenbooks@gmail.com


A Chat with RAY BRAZEN


Author/journalist Joel Gausten talks with longtime Lo-Fi artist and '80s New Jersey underground scene fixture Ray Brazen (a.k.a. Davey Dawson) about his history in music (including his early '80s regional hit "I Found Love at WFMU") and participation in the original NJ Punk/Hardcore scene.

Links in the Video Description 






EMAIL JOEL at gaustenbooks@gmail.com


Thursday, May 1, 2025

A Chat With BAD KARMA

 

Author/journalist Joel Gausten talks with the reunited members of late '80s/'90s NJ band Bad Karma - Doug "Slugger" Vizthum, Tom "DLO" DiEllo, and Wally "WB" Bird - about the band's history and upcoming first show in 15 years at Randy Now's Man Cave in Hightstown, NJ, on May 16.






EMAIL JOEL at gaustenbooks@gmail.com


Tuesday, April 29, 2025

Words for Mike Peters



Mike Peters was the kind of man you wanted to see live forever.

Kind and humble with an unshakable spirit, he faced more trials and tribulations than someone with his heart and talent ever should have. Just over a year ago, I was offered the chance to interview him on my podcast. I couldn’t reply “yes!” fast enough.

I’m a journo who’s been around more than a bit, but on the day I connected with Mike over Zoom, I was 11 years old again — the kid who discovered and fell in love with Alternative Rock thanks to The Alarm and other acts I heard left of the dial.

Watch the video below — you’ll be amazed by his energy and drive despite everything he endured.

What a damn beautiful man.

Lately, I’ve been working to digitize 25 years’ worth of audio interviews, which means my recent weeks and months have been filled with the voices of the departed. I recently preserved hours of conversation with Genesis P-Orridge. David Thomas, another classic interviewee, passed not long after. I grabbed an unlabeled microcassette and heard Raven’s sarcastic charm speaking to me. Another unmarked tape began with a hotel receptionist:

“Hello, thank you for calling [whatever hotel]. How can I help you?”

“Hello, I’d like to be connected with one of your guests, Andrew Gill …”

Mike is the third podcast guest I’ve lost in the past eight months. That’s hard to take.

Life is short. Embrace the moment. Create art. Go for it all. Smile widely through your struggles. And sing your songs.

Mike sure as hell did.




EMAIL JOEL at gaustenbooks@gmail.com


Thursday, April 24, 2025

A Chat with ALEC BYRN (Fmr. Label Manager, EG RECORDS)


Author/journalist Joel Gausten talks with former music industry executive Alec Byrn (EG Records/Phonogram/Polydor) about his experiences with Killing Joke, Roxy Music, The Ramones, The Boomtown Rats, The Orb, and other legendary acts.






EMAIL JOEL at gaustenbooks@gmail.com


Words for David Thomas



How the hell did David Thomas, a.k.a. Crocus Behemoth, end up fronting two of the greatest bands in history?

He was a big guy, far from a pinup, and looked like a ’50s dad tired after a long day selling appliances. And he sang like Big Bird. Definitely not the coolest kid in class, but undoubtedly the smartest. Nothing about him even remotely screamed "star" — and I suspect he’d angrily shun such a notion anyway — but that’s precisely why he was one of the truest rock stars and artists you’d ever meet.
I’m glad I did.
Seeing Rocket from the Tombs in 2003 in Hollywood blew my mind. I bought Rocket Redux soon after and discovered, in the liner notes, that my co-worker John Thompson was THAT John Thompson.
John. Another beautiful oddball. He saw the oddball in me and promptly hooked me up with Pere Ubu paraphernalia that would give the typical record collector a stroke. He also put me in touch with David — his one-time roommate, which made all the sense in the world — when I mentioned I wanted to write about Rocket from the Tombs.
John cautioned me that David could be a tad tough. I figured as much.
He was lovely. Articulate and to the point. Someone who clearly didn’t suffer fools gladly. I just made sure not to be one on the phone. Emails were exchanged. I still have them. Exactly what you’d expect. They’re irreplaceable to me.
David and I met up after a Pale Boys gig at Spaceland a bit further down the calendar. He plopped himself at the edge of the stage after the show and sold merch out of a cardboard box. No glamour. No backstage pass. Just the real thing. A rock star. (Sorry, Crocus, but you were. Probably the last one we’ll ever see.)
I once asked him what kept him going. Here was his response:
"An overwhelming sense of failure and utter dread of public humiliation, basically. I don't think I've done anything right, so I don't want to quit until I get it right. I'm tired of the humiliation of not getting it right. That's what keeps me going. If I ever get it right, I'll quit that day."
I’ve never heard more beautiful words.
And I’ll never hear something like “30 Seconds Over Tokyo” again.
We all remember our first time with that single, don’t we?
Here’s the thing, David. You had it right from Day One; the rest of us are just struggling to catch up.
Goddamn, you were something else.
Tell John I miss him.



EMAIL JOEL at gaustenbooks@gmail.com


Sunday, April 20, 2025

A Chat with Legendary Songwriter RUSS BALLARD


Author/journalist Joel Gausten talks with legendary songwriter Russ Ballard (KISS/Argent/Rainbow/Ace Frehley/Peter Criss/America/Santana/Hot Chocolate/Frida/Roger Daltrey/The Shadows) about his forthcoming album, Songs from the Warehouse / The Hits Rewired, and highlights from his decades-long career.

Links in the Video Description






EMAIL JOEL at gaustenbooks@gmail.com


A Chat with BAG PEOPLE


Author/journalist Joel Gausten talks with the reunited members of seminal early-'80s Chicago/NYC band Bag People – Algis Kizys (SWANS/Of Cabbages and Kings/Pigface/Foetus), Carolyn Master (Of Cabbages and Kings/Glenn Branca), Diane Wlezien (Of Cabbages and Kings), Gaylene Goudreau (DA!/Bloodsister/Revolt-Chix), and Pete Elwyn (Plebroom Theatre Group) – about their history and the recent vinyl release of archival recordings from 1983 on Drag City. Jordan Mamone (Alger Hiss), who played a major role in coordinating the Drag City LP, later joins them in the conversation.

Links in the Video Description







EMAIL JOEL at gaustenbooks@gmail.com


A Chat with KNOX CHANDLER (PSYCHEDELIC FURS/SIOUXSIE AND THE BANSHEES/SOLO)


Author/journalist Joel Gausten talks with veteran musician Knox Chandler (Psychedelic Furs/Siouxsie and the Banshees/Cyndi Lauper/The Golden Palominos/R.E.M.) about the creative process behind his forthcoming solo release, The Sound (out May 30 on the Blue Elastic label).

Links in the Video Description






EMAIL JOEL at gaustenbooks@gmail.com


Thursday, April 10, 2025

A Chat with CHARMING DISASTER


Author/journalist Joel Gausten talks with Ellia Bisker and Jeff Morris of Charming Disaster about their brilliant forthcoming album, The Double, and the esoteric influences behind their sound and aesthetics.

Links in the Video Description





EMAIL JOEL at gaustenbooks@gmail.com


Tuesday, April 8, 2025

ALBUM REVIEW - The Path of Increased Indifference: Night School Field Trip



Hands down, the best NYC Noise band in 2025 is… from fucking Tampa?

Florida has always been an unlikely source of dark and heavy shit. How can such a sunny part of the country, best known for families vacationing and old folks retiring, produce the likes of Nasty Ronnie and the Tardy Brothers? I mean, all you need to do is look at photos of Birmingham, England from the late '60s to know it would eventually spit out a Sabbath. But the Sunshine State? Damned if I know. Yet, the place has never ceased to unleash musical menace upon the world.

Mix that Southern spirit with a heavy dose of late '80s CBGB grime, and you get The Path of Increased Indifference. The group’s latest album, Night School Field Trip, blends Killing Joke-meets-Bad Brains precision with razor-gargling vocals that fall somewhere between early-period Rob Zombie and late-period GG Allin. This is music for people whose late '80s/early '90s collections included first-pressing Pussy Galore, Unsane, and Helmet albums alongside piles of Foetus and Swans live shows on VHS. This is the soundtrack you put on while a Lydia Lunch movie plays silently on the TV right beneath the framed nudie cover of the first Boss Hog record.

Get the picture?

Now, take all that and add a few scattered Hardcore breakdowns and Geordie-esque guitar arrangements, and you’ll get some idea of what this maelstrom is about — short of listening to the thing yourself, which, if any of the preceding 200 or so words have appealed to you, should happen as soon as possible.

Night School Field Trip is some of the heaviest and most immediately satisfying music I’ve heard in ages. It’s both an homage to the sonic savagery of a bygone era and a hint at Metal’s future possibilities. Get it.



EMAIL JOEL at gaustenbooks@gmail.com


Monday, April 7, 2025

A Chat with ANDY SKOVRAN (NJF/PLEASED YOUTH/NIBLICK HENBANE/SCROOGE/BROKEN HEROES)

Author/journalist Joel Gausten talks with New Jersey Oi!/Punk veteran Andy Skovran (Pleased Youth/Scrooge/Niblick Henbane/Those Unknown/Broken Heroes) about his long history in the scene.

Broken Heroes





EMAIL JOEL at gaustenbooks@gmail.com


A Chat with PETER AARON (THE CHROME CRANKS/SAND IN THE FACE/SLUGGO/THE STABBING JABS)

Author/journalist Joel Gausten talks with musician/author/journalist/promoter/radio show host Peter Aaron (The Chrome Cranks/Sand in the Face/Sluggo/Peter Aaron-Brian Chase Duo/Young Skulls/The Stabbing Jabs) about his decades-long history in the music industry and his experiences writing books on The Ramones, The Band, and Ric Ocasek and co-writing a book with Richie Ramone.

Links in the Video Description 






EMAIL JOEL at gaustenbooks@gmail.com


Words for Dave Allen



It’s absolutely appropriate that Dave Allen’s bass is the first sound you hear on Entertainment!

Jon is the brilliant singer and frontman. Andy is the sardonic mad scientist. Hugo is somehow simultaneously tight and loosely funky.
And Dave… Dave is the fucking engine.
Gang of Four would not have been the Gang of Four we love without him. Those first two albums are his.
Solid Gold. Greatest bass-drum interplay since Butler/Ward. It will never not stun me.
Dave splits. Gang of Four is never the same on record again.
Shriekback is fantastic, but Low Pop Suicide changes my life. What an album. What else can I say? Nothing. No scribe can adequately explain the power of Dave Allen circa ’92.
Coachella, 2005. I’m there. So is Flea, who’s watching Dave intently. The band’s on fire. For many of us, OUR Fab Four finally back in action. I focus on the bass throughout.
My journalistic endeavors pick up steam. Chats with Hugo and Andy span years. Dave is elusive, never re-entering the picture after he splits the second time.
Andy becomes the last man standing. Some of the output is damn-near perfect with fine players but missing the feel of the original fellas in the back.
Andy bows for the last time. We get Hugo and Jon back, but not Dave. The 2022 shows are magical. Sara Lee is sensational. The whole thing reconfirms everything I love about the band but still makes me wonder what could have been if... IF...
We’ll never know. We have the records. Listening to “Damaged Goods” as I type. Goddamn, what a band.
I hope Dave knew how much this music means to us.
The final two are about to tour. The Long Goodbye, it’s called. A silly name, really, since there’s no way this music will ever leave all the hearts it’s touched.
Thank you, Hugo and Jon, for keeping it going for one last run. I know you’ll honor Dave and Andy and every lightning bolt we’ve felt from every sound you’ve put to vinyl.
Now go out there and kick fucking ass.



EMAIL JOEL at gaustenbooks@gmail.com


Words for Al Barile





You’d be hard-pressed to find a more welcoming space than the Boston Hardcore scene.

Of course, I had no way of knowing that at 10, when an older friend in my neighborhood in NJ turned me on to SSD and Slapshot. More than a bit militant, yeah? Intimidating, too. And I’d hear stories about Boston straight-edge guys beating people up for smoking and drinking. Whether fact or fiction (I suspect the latter), it was a lot for my young schoolkid mind to take in.
Fast-forward to 2009, and I move up to New Hampshire. Where are the shows? Boston. I start getting out to see what’s going on. Thanks to my old friend Drew Stone, I start meeting people: Mark McKay, Chris from SSD, Larry Kelley. Tough guys? Pfft. Nicest people ever. Even Choke ends up being a sweetheart. Who knew?
Eventually, I reach Boss Level: Al Barile.
He pops up in the comment section of my guest appearance on Drew’s NYHC Chronicles in 2021. I chain-smoke through the entire show. No threats of violence land on the screen.
I meet him at the private party the night before the official opening of Bridge Nine. He spots my SSD shirt and smiles. We get to talking. He’s immediately endearing and impossible to dislike. An everyman without a shred of ego. Gentle, in a way. He hands me a stack of SSD guitar picks. We see each other again a few times over the next year or so. Never a wasted moment or unpleasant conversation. I meet Nancy along the way. A wonderful lady.
Is there another couple on Earth more suited for one another than Nancy and Al?
September 2023. The SSD book party at a hotel in Boston. I run into Al and Nancy outside. Always the gentleman, he tells me how much he likes my YouTube channel. I ask him if he needs help with anything. He hands me his SSD guitar to bring in.
I become a roadie for SSD for the next two minutes. No words.
The night is fantastic. Many happy people and wide smiles. Al is in his element, signing books and posing for pictures. I can tell he’s basking in the well-earned glow of everything he and the other fellas in SSD contributed to this music scene that means so much to so many.
I can also tell he’s in pain.
Things are winding down. I hunt down Al and Nancy for a selfie on my way out. They’re exhausted but accommodating, because of course they are. Three minutes later, I’m in my car on the way home.
I never see Al again.
That guy mattered. And he is loved.



EMAIL JOEL at gaustenbooks@gmail.com